David points out some quarried stone near the tombs of Jerash and then takes us on a hillside tour of urban sprawl, Jordan style. Afterwards, events take a turn for the funny when the team takes a few moments to “de-sweat.” A game called “what’s my quarry?” turns slapstick. Who says archaeology has to be serious all serious?
David takes a look behind the scenes, introducing us to the functions of the survey team, even if their faces are a little obscured. Next, he interprets an ancient relief panel outside one of the tombs in Jaresh. Finally, David undertakes an adventure in the city and decides to check out a construction site.
David and the team are shocked when they unexpectedly discover an “incredible find”–a partially covered mosaic located in a remote olive grove outside Jaresh. Nearby is an ancient wine production facility, complete with press and cisterns that locals are still using.
By Nina Simon
Confused about social media? Don’t know where to start? For the last two years, I’ve been hunting down great projects in and outside of museums that exemplify the themes of visitor participation, user-generated content, and flexible relationships between institutions and visitors.Here are some of my favorite museum projects that represent interesting, thoughtful experiments with Web 2.0:
The Bay Area Discovery Museum: A Lesson in Good Listening
You don’t need a big initiative to get involved with social media—you just need ears and a voice to add to conversations that are already happening. Jennifer Caleshu, head of marketing for a small children’s museum, is an active participant in local Web 2.0 parenting and recreational sites like Yelp!, and developed relationships in those online communities to build strong relationships with current and potential visitors.She recently started a blog for the museum, but her best work is in listening to what others are saying about her institution.She describes her social media strategy here on the excellent Museum Audience Insight blog maintained by Reach Advisors.
MN150: A Visitor-Generated History Exhibition
The Minnesota Historical Society developed an innovative permanent exhibition featuring the 150 most important contributions of Minnesota as nominated by regular people.Read an interview with the lead developer of MN150 here.
The Brooklyn Museum
The Brooklyn Museum is a leader in innovative social media initiatives, from the creation of Facebook applications to crowd-curated exhibits and a “posse” collection-tagging project.You can read three articles about their initiatives here or visit their community site here.
When the Library of Congress put some of their photo collection on the photo-sharing site Flickr, it opened up whole new conversations and interpretations of their content.Read more about it here.
ExhibitFiles is a social networking website for people who make and visit exhibitions.It is a living database of exhibit case studies and reviews and is useful for anyone looking for best practices in the field.
Museum blog types compared (with examples)
Beth’s Blog and the WeAreMedia wiki
The North Carolina Museum of Life and Sciences is doing a series of no- to low-cost experiments with Web 2.0 and documenting them here.
Science Buzz and Red Shift Now
The Science Museum of Museum and the Ontario Science Center each maintain impressive community sites that integrate real-time visitor feedback from the Web and the museum floor here and here respectively.
Teaser image by Shelley Bernstein on Flickr.
After an early start and a cup of coffee, David give us an up-close look at some of the artifacts his survey team is finding in ancient Jaresh. Among the artifacts are a rare water pipe and filter attachment, the lid for a coffee pot, and pieces of a glass kiln possibly dating to the Roman era.
For the last few years, the terms “web 2.0” and “social media” have been used for nearly anything new and interactive on the internet. Since Voices of the Past and sites like it integrate many basic social media tools, let’s take the time to consider the concept of social media and its potential to advance heritage preservation.
In technical terms, the social media phenomenon is a fusion of cross-platform technology, open-source web code and the interactive presentation of audio, photos, videos and text. But at its heart, it’s about empowering people to achieve goals through connection with others who share similar values, regardless of their location.
Core to this connectedness is the idea of community and how it’s being redefined. For example, the purpose of Voices of the Past is to inspire connections to heritage values using new media. You don’t have to have lots of money, a Ph.D., or be a credentialed preservationist to view the site or interact with it. It doesn’t matter where you live either. If you care about heritage, you belong here.
The accessible nature of social media tools, coupled with the relative anonymity of the web, levels the playing field for discussion. This takes away some of the fear of saying the wrong thing and allows people of many different backgrounds to interact as peers.
Social media comes in a variety of flavors. Some of these tools—like forums and message boards—you may already be familiar with. Others, like photo sharing (Flickr), video sharing (YouTube), wall posts (FaceBook), blogs (WordPress), music sharing (iTunes), and internet telephony (Skype), may be new.
When you visit the a site like Facebook or MySpace, what you’re seeing is a form of social media called a “social network.” Essentially, it brings social media tools together on the same web page. The efficiency of social networks is leading to an explosion in their popularity. The combined worldwide user base of MySpace and Facebook roughly equals the population of the United States.
So how’s this different from the web we used to know? For one thing, you’re no longer just reading the company line. The web is now instantly interactive with the potential for infinite conversation on any given topic. It’s like the old gossip fence, except your neighbor is potentially anyone in the world.
What’s been the reason preservation and heritage issues have been so hard to communicate? It’s because they, like politics, are traditionally local. And while probably nothing will ever most people care who’s the state representative for Burning Moscow, Nev., you very well may throw in with an online group that is fired up about preserving the Old West mines there.
So, your worldview isn’t just limited to your place of residence anymore. With social media, your interests can help define your social responsibility in the realm of heritage values. Explore and enjoy!
In the second day of the Jaresh survey, tombs are the focus. David’s team is attempting to survey endangered tombs in the area. Building over underground tombs is a common practice in the area, with occupants sometimes using the tombs as basements. Building on these tombs sometimes causes them to collapse, making these surveys and documentation efforts even more critical.
This installment also includes an interview with a volunteer archaeologist who comes to the survey with her husband.
David winds up his post down the rabbit hole in a “hot and bothered” state.
Tropical storms and other flood events are often termed disasters because of injuries, fatalities and the destruction of homes and businesses. Part of the disaster is the loss of family heirlooms.
“I am saddened by the stories of people who have lost so much from floods and storms,” said National Park Service Director Mary A. Bomar. “We learn about their stories of survival in the news but also hear about damage to a lifetime of memories – the loss of personal heirlooms is devastating.”
Director Bomar said, “The National Park Service has been at the forefront in the effort to save, preserve and protect America’s treasures for nearly a century. We have tips available from our conservation and preservation experts for people who will be able to save family heirlooms before disaster strikes. And we have tips for how to deal with flood-damaged items.”
The National Park Service, along with other members of the Heritage Emergency National Task Force, produced a public service announcement video to help families. It is available on-line.
The following tips are adapted from the Emergency Response and Salvage Wheel produced by Heritage Preservation in support of the Heritage Emergency National Task Force.
Preparation before flooding:
Avoid storing family heirlooms in the basement, which is likely to flood.
Evacuate heirlooms, such as family photo albums, when possible–otherwise, place in closets or rooms without windows on upper floors.
Response and recovery after flooding:
Even if they are completely soaked, family treasures can probably be saved, if they are not contaminated with sewage or chemicals. Work on high priority items first.
Freeze books, paper, textiles, and most photographs that cannot be cleaned and dried within 48 hours to prevent mold. Interleave with freezer or waxed paper, if possible. Consult a conservator before freezing metal, plate glass, paintings, some photographs, and furniture.
Photographs: Rinse with cool, clean water, as necessary. Hang with clips on non-image areas or lay flat on absorbent paper.
Books: If rinsing is necessary, hold book closed. If partially wet or damp, stand on top or bottom edge with cover open to 90-degree angle and air dry.
Paper: Air dry flat as individual sheets or small piles up to 1/4″. Interleave with paper and replace interleaving when damp. Do not unfold/separate individual wet sheets.
Textiles: Rinse, drain and blot with clean towels/cotton sheets. Block and shape to original form. Air dry using air conditioning/fans. Do not unfold delicate fabrics. Do not stack wet textiles.
Furniture: Rinse/sponge surfaces gently to clean. Blot. Air dry slowly. If paint is blistered or flaking, air dry slowly without removing dirt or moisture. Hold veneer in place with weights while drying. Separate the weights from the veneer with a protective layer. Upholstery: Rinse. Remove separate pieces, such as cushions and removable seats. Wrap in cloth to air dry and replace cloth when damp.
Framed paintings: Carefully remove from frames in dry area. Keep paintings horizontal, paint side up, elevated on blocks. Avoid direct sunlight.
Framed art on paper or photographs with glass fronts: Remove from frames, unless art is stuck to glass. Dry slowly, image-side up with nothing touching the image surface. If art sticks to glass, leave it in frame and dry glass-side down.
If a precious item is badly damaged, a conservator can help. For guidelines on selecting a conservator, visit the American Institute for Conservation site.
The first day of the Jaresh survey, David reacquaints himself with the area, finding protection measures by the Department of Antiquities have been effective. He also gets reaction from a “first timer” inside of one of the tombs.