National Landmark “Kate Chopin House” is lost to fire

By Jeff Guin

CLOUTIERVILLE, LA–The Kate Chopin House, named for the legendary feminist writer who lived there during the 1880s, burned to the ground in an early morning fire today. The structure had been named a National Historic Landmark by the United States Department of Interior in 1993.

According to Vickie Parrish, president of the Association for the Preservation of Historic Natchitoches (APHN), the structure’s loss will be felt far beyond the Coutierville community.

“Countless people have invested their time and hearts into the restoration of this structure,” Parrish said. “So much had been done. But the real tragedy lies in how much more could–and would– have been done to make the Kate Chopin house a preservation showcase for the country. So many people loved it.”

The house was in a serious state of disrepair before APHN became steward of the property in 1979. The organization invested in several restoration efforts, including the installation of central air and heat in 1999.

The Creole-style home was built between 1805 and 1809 by Alexis Cloutier using slave labor and exemplifies the building style of that time. Creole architecture is characterized by its spacious galleries, gallery roofs supported by light wooden colonnettes and a form of construction utilizing a heavy timber frame combined with an infill made of brick.

Officials from the National Park Service’s Cane River Creole National Historical Park were on hand this morning to help salvage the few artifacts that survived the fire. The head archivist from the Cammie G. Henry archives at Northwestern State University of Louisiana was also assisting in the recovery.

The contents of the Bayou Folk Museum, which was housed in the Kate Chopin House, were also lost. Local resident Doris Roge’ says the loss is being especially felt in the Cloutierville community because so many citizens had contributed to the museum.

“A lot of people in the community donated or sold pieces for the museum,” she said. “Many pieces belonged to my grandfather. We’ve all lost a part of our heritage.”

Kate Chopin came to Cloutierville  with her husband Oscar, a New Orleans businessman who bought the house in 1879 at a sheriff’s sale. Kate was pregnant with their sixth child and quickly made enemies in the town.

According to Roge’, her grandfather often told stories of Chopin’s then-scandalous public smoking and flirtations with men other than her husband.

Many of Kate Chopin’s most important works, including Bayou Folk and The Awakening are set in Louisiana.

Dr. Lisa Abney is a Chopin scholar and dean of the College of Liberal Arts at Northwestern State University of Louisiana. She believes the burning of the Chopin House is a loss to the literary community as well.

“Kate Chopin’s work is important both nationally and regionally; Chopin’s creative and innovative fiction changed the face of American literature,” she said. “The loss of the Kate Chopin House and Bayou Folk Museum is a tremendous loss to fans of Chopin’s literature and to preservation. This is, indeed, a tragedy to no longer have this important treasure.”

The Kate Chopin House/Bayou Folk Museum is another significant blow to the history of the Cloutierville Community. Several important structures have been lost there over the years including the Carnahan Store, a National Register for Historic Places structure, which burned in 2004.

What caused the fire at the Kate Chopin House is still under investigation.

Photos from the scene of the fire can be seen at the NCPTT Flickr stream.

View more about the salvage operation in the video below:

After the Flood: Rebuilding the Silos and Smokestacks National Heritage Area

By Aaron Steinmann

In recent months, the sites and communities of Silos & Smokestacks National Heritage Area, nestled in Northeast Iowa, have weathered Mother Nature’s worst. Just weeks after an F-5 tornado ravaged portions of the Heritage Area, historic floods devastated countless communities during the floodwaters slow trek across the Heritage Area.

While volunteers spent countless hours sandbagging and moving artifacts, in many areas the rising waters could not be tamed. Now that the floodwaters have receded, the true extent of the devastation continues to be uncovered. With all 37 counties of the Heritage Area being declared a Presidential Disaster Area, it’s estimated that one-third of the 106 Silos & Smokestacks partner sites were impacted.

Over two months have passed since the floods and business as usual seems like an unfamiliar concept to many affected by the floods. As some begin the long and challenging process of rebuilding, others sit in limbo unsure of what the future holds.

At Ushers Ferry Historic Village in Cedar Rapids, 34 of the 36 buildings were submerged, with the log cabin being washed downstream. While three buildings have been deemed completely destroyed, limited resources and manpower have hindered full assessment of the damage. Though there is hope to rebuild the village in some capacity, the future currently remains uncertain. Further downstream in Cedar Rapids, the African American Historical Museum & Cultural Center of Iowa and the National Czech & Slovak Museum & Library set on opposing banks of the Cedar River yet suffered much the same fate. While buildings were secured and artifacts moved, neither were fully prepared for a crest of 19 feet above flood stage. They join countless others like the Ice House Museum in Cedar Falls in the long process of developing a plan to rebuild.

Nestled along Iowa’s Rivers, the mills of the Heritage Area are no stranger to floods, though 2008 has proven especially tough. To help with assessments and restoration planning, Silos & Smokestacks and the Iowa Historic Preservation Alliance hosted Trillium Dell Timberworks of Knoxville, IL on a tour of Wapsipinicon Mill, Independence; Motor Mill, Elkader; and Potters Mill, Bellevue. Like many historic structures, the Wapsi Mill had never had the opportunity for an expert in timber framing to evaluate the mill. It’s hoped this will provide a starting point for continued preservation for these remnants of Iowa’s history.

During and after the flood, the unity of the Heritage Area has continually been shown as partner sites work to help each other. The unaffected Brucemore Historic Site in Cedar Rapids setup their Garden House as preservation headquarters for teams of out-of-town professionals, and the Iowa Masonic Library & Museum is currently housing staff from the African American Historical Museum along with a mini exhibit. While buildings have been devastated and many artifacts lost, the true story of the Heritage Area, which lies in the communities and people of the region, will continue.

A disaster relief fund has been established to help in the recovery and rebuilding efforts for the region. Checks may be sent to:

Silos & Smokestacks National Heritage Area

SSNHA Save Our History Fund

PO Box 2845 Waterloo, IA 50704-2845

Featured thumbnail and photo by Dusty Allen Smith on Flickr

Apply online for preservation technology grants through Oct.15

The National Center for Preservation Technology and Training is looking to fund innovative projects that advance the application of science and technology in historic preservation.

The PTT Grants program funds up to $25,000 for projects that develop new technologies or adapt existing technologies to preserve cultural resources.

NCPTT staff are accepting optional pre-proposal abstracts through the Center’s website until Oct. 1. Staff will reply to these abstracts with feedback. Full grant applications may be submitted online until Oct. 15.

Projects may include, but are not limited to:

  • Laboratory or field research that explores or assesses novel or adaptive methods
  • Training activities, including workshops, and course or curriculum development that promote the use of new or adaptive technologies
  • Documentation using new methods
  • Manuscript or website development that disseminates innovative preservation technologies
  • Meetings that convene experts to discuss the use of technologies to address preservation problems.
  • NCPTT does not fund “bricks and mortar” projects or straight-forward documentation projects using well-established methods.

Grants are awarded competitively with a maximum award of $25,000 (including indirect costs). All grants require a one-to-one match of cash or in-kind services. Grants are funded by annual federal appropriation and are subject to availability of funds.

NCPTT funds projects within several overlapping disciplinary areas. These include:

  • archaeology
  • collections management
  • architecture
  • engineering
  • historic landscapes
  • materials research

Although any proposal will be considered that advances NCPTT’s mission, NCPTT will give preference to proposals that advance technologies or methods to:

  • conserve cultural resources of the “recent past”
  • monitor and evaluate preservation treatments
  • investigate minimally invasive techniques to  inventory and assess cultural resources
  • protect cultural resources against natural and human threats
  • preserve cemeteries and places of worship, and safeguard resources from effects of pollution and climate

The following organizations are eligible to submit proposals:

  • U.S. universities and colleges,
  • U.S. non-profit organizations: Non-academic museums, research laboratories, professional societies and similar organizations in the U.S. that are directly associated with educational or research activity
  • Government agencies in the U.S.: National Park Service and other federal, state, territorial and local government agencies, as well as Hawaiian Natives, Native American and Alaska Native tribes and their Tribal Historic Preservation Offices. Other organizations can participate only as contractors to eligible U.S. partners. Grants funds support only portions of projects that are undertaken or managed directly by U.S. partners. Grant funds can be used in support of projects outside of the U.S., provided the principal organization conducting the work is an eligible U.S. institution and the project’s results address a national preservation need.


Review Criteria

Reviewers evaluate each project proposal by the following criteria. The successful proposed project should thoroughly:

  • Address an identifiable national need in preservation technology
  • Present innovate technologies
  • Demonstrate a technically sound methodology
  • Have a principal investigator well qualified to conduct the proposed work
  • Disseminate project results effectively
  • Be cost effective given the scope of work and the audience
  • Provide a one-to-one match of funding with cash or in-kind services
  • Result in tangible grant products that disseminate information beyond traditional ways (e.g. online web based training, webinars, podcasts, videos, DVDs, electronic publishing, etc.).

NCPTT reviews proposals for disciplinary, geographical and institutional distribution. Additionally, a National Park Service grants administrator reviews them for financial and policy matters. Special consideration will be given to proposals that leverage resources through public and private partnerships.

The Grant Application Process

Applicants desiring feedback may submit an optional pre-proposal anytime up to October 1, 2008. The preproposal may not exceed one page in length, and it should be an informal abstract of your project. Provide a brief description that highlights the innovative nature of the project, how it applies to preservation technology, the national need, the time frame, and approximate overall cost.

NCPTT staff will provide timely feedback on the degree of fit between your idea and NCPTT’s mission.
Applicants must submit a PTT Grant application between September 1, 2008 and October 15, 2008. The applicant will provide details on the following:

  • Abstract (100 words)
  • Description of innovation (100 words)
  • Project narrative, which should include a discussion of the technical soundness of the methods (1000 words)
  • A bibliography of references cited in the narrative
  • Statement about how the project addresses an identifiable national need in preservation technology (250 words)
  • A list of project tasks and their schedule (500 words) a dissemination plan (250 words)
  • A description of the deliverables (500 words)
  • Summary of the expertise and project-related experience of the principal investigator (500 words)
  • Summary of the expertise and project-related experience of the research team (1000 words)
  • An itemized budget listing the funds requested from NCPTT, as well as the funds provided in cash and in-kind donation from other parties. Applicants will receive notification of their status in early December 2008.

Successful projects can begin in March 1, 2009, pending availability of funding.

What is social media?

For the last couple of years, the terms “web 2.0” and “social media” have been used for nearly anything new and interactive on the internet. Since Preservation Today and sites like it integrate many basic social media tools, let’s take the time to consider the concept of social media and its potential to advance heritage preservation.

In technical terms, the social media phenomenon is a fusion of cross-platform technology, open-source web code and the interactive presentation of audio, photos, videos and text. But at its heart, it’s about empowering people to achieve goals through connection with others who share similar values, regardless of their location.

Core to this connectedness is the idea of community and how it’s being redefined. For example, the purpose of Preservation Today is to inspire connections to heritage values using new media. You don’t have to have lots of money, a Ph.D., or be a credentialed preservationist to view the site or interact with it. It doesn’t matter where you live either. If you care about heritage, you belong here.

The accessible nature of social media tools, coupled with the relative anonymity of the web, levels the playing field for discussion. This takes away some of the fear of saying the wrong thing and allows people of many different backgrounds to interact as peers.

Social media comes in a variety of flavors. Some of these tools—like forums and message boards—you may already be familiar with. Others, like photo sharing (Flickr), video sharing (YouTube), wall posts (FaceBook), blogs (WordPress), music sharing (iTunes), and internet telephony (Skype), may be new.

When you visit the a site like Facebook or MySpace, what you’re seeing is a form of social media called a “social network.” Essentially, it brings social media tools together on the same web page. The efficiency of social networks is leading to an explosion in their popularity. The combined worldwide user base of MySpace and Facebook roughly equals the population of the United States.

So how’s this different from the web we used to know? For one thing, you’re no longer just reading the company line. The web is now instantly interactive with the potential for infinite conversation on any given topic. It’s like the old gossip fence, except your neighbor is potentially anyone in the world.

What’s been the reason preservation and heritage issues have been so hard to communicate? It’s because they, like politics, are traditionally local. And while probably nothing will ever most people care who’s the state representative for Burning Moscow, Nev., you very well may throw in with an online group that is fired up about preserving the Old West mines there.

So, your worldview isn’t just limited to your place of residence anymore. With social media, your interests can help define your social responsibility in the realm of heritage values. Explore and enjoy!

Major cultural sites caught in crossfire of Georgian conflict

Reports are beginning to hit the net about heritage sites that have been damaged or destroyed in the conflict between Georgia and Russia. Here is a rundown of a few of the items being discussed:

In his post Fog of war obscures state of cultural heritage sites in Georgia, Tom Flynn of the artknows blog, recounts what’s at stake–including three sites on UNESCO’s World Heritage List and fifteen more on the Tentative List. He references the ICOMOS, (the International Council on Monuments and Sites), website, which states “the entire cultural heritage of Georgia is endangered,” and recounts a preliminary report prepared by ICOMOS Georgia  regarding the shelling of a sixth-century Ateni Sioni Church, where affiliated professionals were working. Casualties in the heritage preservation field are being reported as well. Among the points Flynn presents in his long investigative piece:

  • Approximately 345 registered historical monuments and archaeological sites are located within the main conflict zones
  • The ICOMOS draft reports concern over news of rockets being fired into the Uphlistsikhe rock-cut city (5th-century BC-7th century), a site on the World Heritage Tentative List
  • Reports of looting of the 11th-century Samtavisi Cathedral (another candidate for inclusion on the UNESCO World Heritage List)
  • The International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM) has issued a ‘Watch List’ of “Georgian museums in uncertain conditions situated in regions occupied by the Russian Army.
  • The villages of Tamarasheni and Qurta were destroyed and possibly the buildings of the museums as well

Meanwhile, the Russian non-governmental news agency Interfax, based in Moscow, reports that Georgian fire destroyed many cultural monuments in South Ossetia. Among the monuments in question were 19th century cathedrals and architectural memorials dating to the eighth and ninth centuries. The article quotes Alexander Kibovsky, head of Federal Service for law observance supervision in the field of protection of cultural heritage as saying:

“When Georgian forces intruded to South Ossetia all mentioned monuments were destroyed or suffered a great loss because of their barbarian operations.”

The impact of the war on a team of archaeologists from the University of Winchester’s Department of Archaeology is discussed in the post Archaeological excavation affected by war in Georgia from the BAJR Blog. The team was on an expedition with Georgian colleagues to excavate a rural site shortly before the hostilities began. All of the British team, which included 10 students from universities across the UK and seven experienced archaeological and specialist staff, were able to return home the day before the conflict began. The University of Winchester had been forging ties with the Georgian Archaeology Commission to strengthen archaeology courses at Georgian universities. The expedition’s co-director, Dr. Paul Everill is quoted as saying:

“We are an expedition of archaeologists and historians, but we all share a love of Georgia, its culture and its people. We hope to find some way of raising whatever funds we can to eventually help the country rebuild.”

Related Links:

Risk of Destruction from Historic Sites in Georgia-The Cultural Property Law Blog

Georgia on My Mind-Cultural Property Observer

Georgia, Eredvi village, near South Ossetia-YouTube iReport video

ateni sioni photo by perret.rukhadze on Flickr

Detoxifying American Indian artifacts

Decades of antiquated preservation methods have led to the contamination of American Indian artifacts with toxic metals, potentially damaging the artifacts while posing danger to the conservators working with them.

With a grant from the National Center for Preservation Technology and Training, Timberley Roane, associate professor of biology at the University of Colorado at Denver and Health Sciences Center, has been researching a means to resolve an environmental quandary involving toxic substances and artifacts such as kachina dolls, pipes, pottery, blankets, mounted animals and ceremonial masks.

“Historically, artifacts might have been treated with a variety of different pesticides to preserve the objects from insects and microbial damage,” Roane said. “Two of the most prevalent pesticides that we’re most concerned with now are mercury and arsenic, as the toxicity of these metals to biological systems is under review.”

Roane, a Lumbee tribe member, collaborated with a Navajo friend who works with the Environmental Protection Agency to conceptualize the use of bacteria as a possible means to extract mercury from these artifacts without damaging them. Due to the presence of mercury, for example, and the risk of dermal or inhalation exposure, some of these artifacts could not be put back into cultural use.

Roane is working with bacteria already living on the artifacts that will allow her to change mercury into a gaseous form that can then be disposed of properly. This builds on her past research that uses naturally occurring bacteria for environmental cleanup.

“With funding from the NCPTT, we’ve been able to isolate mercury-resistant bacteria capable of removing mercury from contaminated media,” she said. “We are very excited by the prospect of being able to remove mercury from treated museum materials, in hopes of mitigating the toxicity of these materials for not only repatriation to tribal members but for anyone who comes in contact with them.”

Traditional methods of removing toxic metals include chemicals, ultraviolet light and heat. These methods can damage materials, which led to Roane’s desire to research less invasive methods to clean collections.

“You have to treat them gently and with respect, especially since some of these materials are considered living by their native peoples,” she said. “New methods like those proposed by the grant procedures offer new hope.”

Roane was granted access to Native American collections at the Arizona State Museum for her research. Dozens of samples have been taken and documented. After the bacteria are grown in the lab they are screened for their ability to turn mercury into a gaseous form. Those bacteria are then tested further.

While much is not known about contamination levels in native artifacts, Roane’s research represents a promising step toward dealing with the contamination from the past while preserving these significant cultural artifacts for the future.

“The start to this project shows a lot of potential,” she said. “We plan to continue our efforts in using bacteria to remove mercury from collections and hope to eventually develop an effective mitigation technology.”

David Connolly V-log: The team hits a milestone

To demonstrate how his work skills “measure up,” David examines a granite pillar in Jerash. His next examination turns political as he asks “would you trust ‘Winkie’?” Then comes a milestone in the team’s discovery. Actually they “uncovered” three milestones–of the Roman variety. This is video you’ll have a hard time finding anywhere else!

For more information on Roman Milestones:

Milestone – Wikipedia, the free encyclopedia

British Museum – Milestone

Roman Milestone discovered

Newsletter: NCPTT Notes 47

http://documents.scribd.com/ScribdViewer.swf?document_id=2273452&access_key=key-h0l64jtu7ttbnowpk7g&page=&version=1&auto_size=true&viewMode=

This newsletter features the NCPTT Grants program–newest grants and call for proposals–with a centerfold pull-out poster. Additionally, a research project about the recovery of waterlogged objects, such as those related to shipwrecks, is featured.